- Listening to some music while doing other things is difficult because too intricate and detailed. One of my favorite CDs is a Bach album by Yo Yo Ma I have literally listened to 100s of times. Without fail it gets better every time I listen to it but I *cannot* do anything else (even driving). It feels like a fly buzzing around me.
- Emotional pull can be a negative when you are actively avoiding emotions. I actively hide myself from others when I'm in public, as the DC metro folks probably did. Aphex Twin, called a genius by everyone from Radiohead to Rolling Stone, has a broad music collection I have a very difficult time listening to passively because its so emotionally moving, especially his ambient work. Sometimes I just can't take it.
- Music of the best quality seems to require a certain amount of familiarity. Many of my now favorite albums are music selections I did not enjoy the first time I heard them.
- Great instruments don't mean great sound. The acoustics of the DC Metro station might not have brought out the best in a 3.2 million dollar violin. If you pipe his performance into the train station through crap speakers, nobody's going to notice it then either.
(thanks Kim)
But one has to ask what "noticing" looks like and how would it be defined. What if I am listening and intensely moved by the music though I only listened for a few brief moments and looked at the musician perhaps only in passing? Does my experience need to be publicly noticeable for it to be real? Furthermore, how long would I have to stand and listen to be considered "noticing"? A minute? Two hours? At what point can we say I have appreciated the art?
ReplyDeleteThere is so much more to experiencing art than how long one spends in front of it.